#TUMBLR GUY CODE#
#TUMBLR GUY SERIES#

6,333 Little Girl No Shirt Premium High Res Photos.What's the Matter With a Little Brother/Sister Action?.The Story of Little Eva - University of Virginia.

4,314 Little Girls In Undies Premium High Res Photos.Tiny tight teen pussie pics: dickrecovery44.Grimm 011: Little Brother and Little Sister - University of Pittsburgh.Mum tries extreme crotch-flashing denim shorts to show just how tight.Q: What To Do When Your Little Girl Is Playing With Her.Blonde nude teen spreading shave pussy.One of the first ideas was for the “Worm Ghost”, whose upper body was encased in the crimson clay and had to push herself along with only her feet and who would later become the clawing Pamela ghost in the film. Once the rough sketches were approved I would do a tighter pass on all~ at the start the crimson coloring to the ghosts was a huge secret even within the production, so I also did a grey toned version of each design that could be presented to all the departments during review.

#TUMBLR GUY CODE#

These were done early in the production before the final script, so all were given more descriptive code names to identify them. The first job I had on the film was creating forms for the different ghosts with Guillermo before some of the designs would go to sculptor David Meng and the incredible makeup effects department of DDT. You can see more concepts and illustrations in the CRIMSON PEAK: The Art of Darkness filmbook!Ī few more of the ghost concepts I worked on for Guillermo del Toro’s CRIMSON PEAK. So Happy Mother’s Day, Doug!~ and bewaaaare Crimson Peak! The mother’s horrific face designed and created by the incredible makeup effects house of DDT (David Martí and Montse Ribé) with Guillermo and brought to haunting life by the wonderful actor, Doug Jones!

#TUMBLR GUY SERIES#

The shape of headdress above inspired the direction of the final series of concepts I did~įrom there the final look was created from a collaboration between Kate and Guillermo himself. Since the ghost of Edith’s mother was more costume based, early on I worked with the incredible costume designer Kate Hawley on different types of layering and forms to work out an iconic shape. Below are the initial concepts as they progressed. In honor of Mother’s Day~ here’s some concepts I did for Edith’s mother from Guillermo del Toro’s film, Crimson Peak! Originally she was only labeled as “Black Ghost” to set her concepts apart from the other red clay designs we were working on. I’ll post more Marquis designs from the pitch in future posts!~ the 3rd printing of THE MARQUIS: INFERNO is out of print, but available digitally through Dark Horse Digital and Comixology! He later turned up in the Hell scenes as a trio of torturers who gut their victims to make wonderful wigs for themselves.įor the rework of the design, I kept the base form but added details that wouldn’t be as clear in the comic, the added fun part for me was also designing a bunch of variations of 18th century wigs made out of guts! The “masque devil” originally appeared in chapter 2 of The Marquis: Danse Macabre storyline, possessing the guise of the Ministries iron punishment mask to confront the Marquis. It was a wonderful project and team to get to be part of (not to mention a great fun game to play!) You can see a couple other of my early concepts along with the final designs for the entire game by The Coalition Studios amazing team in the new Art of Gears 4 book!Ī couple worked up designs from my MARQUIS: INFERNO graphic novel for the masque devil, Gut-Wig! These were done as part of a pitch package from 2013 for a Marquis film project that unfortunately didn’t pan out~ (who doesn’t want violent, grotesque, anti-religious 18th century devil hunting adventures in this day and age!!?) I also did some exploration for other creatures in the game too, below is an early unused concept for the “Pouncer”. The next head pass I did introduced a couple design elements that would carry over to the final design, including the forehead / double nasal cavity and plated segmented jaw.Īfter more iterations working with the studio art director, this was my final pass for the Locust based Swarm. I started with a series of early explorations for the games new creatures, The Swarm.Įarly designs played off new body shapes and details to set them off from the games original Locust characters. These head passes above were starting to go in the right direction with the plated armor on the face and body. Back in 2014 I was brought in by The Coalition to work on some visual development and creature concept for the upcoming GEARS OF WAR 4 Xbox One game.

Tumblr guy